a journal of...

A journal among friends...
art, words, home, people and places

Saturday, July 18, 2020

Old lives



Last week, my sister sent me a message that echoed back a decade ago.  "I was looking through my computer files," she wrote, "and found a copy of your novel from 2011!  I remember I really liked those characters.  I am going to read it again."  She wasn't sure she had the whole thing.  Would I look to see?

Well.  That set me into a quandary.  Where to find the original now, since the years hence have had me cleaning out and clearing at least four times, and the manuscript, done that many life changes ago, would pretty much be a stranger to me.

Fiction is not something I've done much of.  In all the words I have put on paper, only a few have been devoted to it, mostly in the guise of a family story, part of it (necessarily) imagined.  In fact, this story, too, began as one, told me by my husband Jake about his grandmother, a woman who had died fairly young and whom he hadn't much chance to know.  As family stories often do, this one had a mystery about it, mostly because it had been handed down in parts by different people at different times.

But it wasn't so much the story but the occasion which prompted my deciding to write from it...if, in fact, you could call it deciding.  One fall morning, Doris Schneider walked into the journal workshop at the library with a flier from New Bern arts festival literary contest.  New Bern is an old town about half an hour from Washington, where were were living then, like New Bern an old town on a river which used to be important.  There are many similarities of history, landscape, and social design.  But it also has its differences, particularly among the people who live there.

That, however, is beside the point.  Doris' point was that we should enter some of our work in the contest.  Doris was a novelist-in-training, one who has since shown her talent in print several times.  So it was not a surprise to hear her so interested in the contest.  But the rest of us were in the workshop for very different reasons, writing for ourselves primarily, reading to a closed and respectful group, so her flier didn't receive much enthusiasm.

I felt a little bad about that response, so I told Doris I would think about it.  There were separate contests for poetry, nonfiction, and fiction entries, and it would have been easy for me to turn in a poem or two.  But a few days before the deadline, I sat down with an image in my head for which poetry would not suffice...a young girl, running from home, hoping for a life outside the one slowly suffocating her.  It was the girl from Jake's grandmother's story.  To this day, I can't figure out why, at that moment, she came to me.


The limit of five-pages went quickly, because that image erupted into words from the first.  I turned it in, as Doris did her story, and another journal writer her poem.  In a few weeks, all three of us received a call indicating that we had won something.  New Bern might be the judges, but Washington was holding its own.  We were pleased with our success, and I, especially, was grateful for the remarks of one of the judges who sought me out.  "I really liked your work," he said, almost sotto voce, "I could see that girl, such an interesting character."

Not too long after that, there was a suggestion, I forget how, that perhaps I should keep her story going.  So, having nothing pressing to keep me literarily busy at the moment, I did.  All good fiction, said someone who knew what she was talking about, begins with a question, even if at first one thinks he/she has the answer.  The question now was obvious:  where did she go?  And then, What did she do?  Until, What became of her?

Like that first chapter, words rolled out into shapes of characters and plots, and what turned out to be an interesting historical setting...mill life in the thirties in a place changing character too swiftly, and not a little roughly.  More immediately, there was the setting of boarding house life, which has for a long time fascinated me anyway.


Jake, excited to be my guide, drove me all over his home town, filling in the facts of the town he knew so well:  who was who, who did what, where to find more.  He tagged along with me to two library archives where facts and photographs rose up like painted scenery behind her story.  I moved my girl, Anna Lee, up about thirty years ahead of her model's real time, to take advantage of the possibilities history presented, and also because, frankly, I couldn't envision the 1890's the way I could the 1930's.  I imagined houses, streets, buildings, roads and the faces of people whose lives could easily interject with hers.




Best of all, at the invitation of Jake's sweet cousins, we went to stay awhile in the old family cabin out in the county where, each day, I set up my laptop on the porch overlooking Stony Creek, and a new chapter a day bloomed.

Beyond some family and a few friends who know writing, I didn't send it out anywhere.  I think I wrote one publisher about it, but having no response, let it dangle. And then Jake died and the need for it died, too.  It went on the shelf, where a few other manuscripts lay collecting age.  To be honest, I am a person who, when she is finished with something...writing, painting, whatever...is done with it.  I don't care how it gets out into the world, or whether it ever does. 


So, that's the story of my story.  Now the trick would be finding that manuscript in one of a few stored closets, digging for some missing parts, and then, one Sunday afternoon, all afternoon, sitting down to read it again.  That turned out an adventure in itself.  Had I really written this, I kept asking myself?  The story was familiar, but the words...how did I ever think of those phrases?  Where did that fellow out of New Orleans by way of Brooklyn come from?  But obviously they were my inventions, some other mind ago.  Now, like a stranger reading a new book, I was looking with other eyes at that girl, and at all the others who crossed her path along the plot.  There were, in fact, numerous plots, for each character brought his or her own story into the fray, weaving in and out of the happenings and places to change their direction or import.  That was the fun of writing it.

I also found a few startling abscesses, for clearly not quite all the story had left my head for the black and white of the page.  There were misalliances and leaps of incredulity I hadn't seen from so close. (I think Wayne Caldwell, for one, tried to tell me something like that back then, bless him; now I see it.)  Still, I have to say, the story was in the main pretty good.

Eventually, I found that my sister was, indeed, missing a chapter, and promised to send it.  I also mentioned that it might be interesting to go back and see what I could do about revision, after all this time, even if it were just an exercise to help fill these virus-enclosed days, in the hours when art, reading, walking, and Alexander escape me.  Maybe the characters everyone seems to like deserve  not to stumble over their lives so.


I haven't got to it yet, but if I do, I'll let you know how it goes.




Wednesday, July 8, 2020

Waiting for Rain


Since we are socializing outdoors these days, the weather makes a strong play for whether a coffee, walk, lunch or dinner (suitably masked and/or distanced) will go on.  Storms gather to the south and east of us, one promising to take a name as a tropical depression.  So far, however, clouds split as they pass over our town, sparing not a drop for us.  It's been dry here, and the usual summer's heat has been intensified by oppressive humidity. After my walks each morning and each evening, I return home drenched.  We wouldn't mind the 87-90% clogging the air if a little ground-nourishing water went along with it, but the ground is about at the hard, cracked stage, and the gardens are drooping.  Joseph's new hydrangea looked desolate by Sunday.

A few minutes ago, though, a friend called to say that she thought her backyard dinner had better wait for another evening...the weather radar showed a rain heading our way. 

So we are waiting to see whether that green-yellow-orange system stalled over Georgia will reach us finally.  In the meantime, my friend Joanne kindly packed up her already-cooked meal to send me...we will dine each in our own homes, trying to imagine the conversation real presence might engender.



 That, I think, has been the most difficult thing about the sequestering this viral outbreak has necessitated.  With each new report of conditions, we try to squirm around changing parameters of safety, hoping for a chance to be among friends and family.  The late news that outside is safer than inside brings a lot of relief, at least to me...it means that even while I skirt the (amazingly, alarmingly) oblivious walkers and runners, who do not seem to have heard that masks and distance can save them (I am pretty sure they are not, as the song goes, thinking of me), the natural world of path and garden salves jitters, and there are plenty of alternate paths one can take to avoid trouble.





This morning, watching a mother and her toddler exploring an ant pile between bricks on the quad, or the woman with cane whose slow gait along one arboretum path led me to turn onto an alternate route, I thought about how, ordinarily, I would have stopped to have a chat with either or both.  One can wave across the distance, or smile from across the greenery, but there are now fewer possible real connections to people who share a shrimking world.

Joanne and I will find another way to catch up, and so will I with others I know.  But that woman with the cane (who, on any day when my knees are cranky, might be I) looked as if a conversation with anyone could bring her out of her funk.

And that's the trouble, right there.  We are all, no matter what our resources, waiting for rain...for the chance to join the community again, to be a part of the wider world.  Other parts of the world are opening, but farther beyond us than we can reach right now.  And some, open, are closing up again. We wonder how long this drought will last, even while we know that wondering is useless.
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On the street, in the park and around the neighborhood, things are just the same. I come to the conclusion that I can do no more about others' social disregard than I can about the rain.  I carry a mask or an umbrella, spontaneously diversify my routes, and hope for the best.



But what's this?  As I am about to post this, I look outside, and suddenly I am running to catch
the first sign of relief!
Rain...at last...one wonders how long it will last.