a journal of...

A journal among friends...
art, words, home, people and places
Showing posts with label writing workshop. Show all posts
Showing posts with label writing workshop. Show all posts

Saturday, July 18, 2020

Old lives



Last week, my sister sent me a message that echoed back a decade ago.  "I was looking through my computer files," she wrote, "and found a copy of your novel from 2011!  I remember I really liked those characters.  I am going to read it again."  She wasn't sure she had the whole thing.  Would I look to see?

Well.  That set me into a quandary.  Where to find the original now, since the years hence have had me cleaning out and clearing at least four times, and the manuscript, done that many life changes ago, would pretty much be a stranger to me.

Fiction is not something I've done much of.  In all the words I have put on paper, only a few have been devoted to it, mostly in the guise of a family story, part of it (necessarily) imagined.  In fact, this story, too, began as one, told me by my husband Jake about his grandmother, a woman who had died fairly young and whom he hadn't much chance to know.  As family stories often do, this one had a mystery about it, mostly because it had been handed down in parts by different people at different times.

But it wasn't so much the story but the occasion which prompted my deciding to write from it...if, in fact, you could call it deciding.  One fall morning, Doris Schneider walked into the journal workshop at the library with a flier from New Bern arts festival literary contest.  New Bern is an old town about half an hour from Washington, where were were living then, like New Bern an old town on a river which used to be important.  There are many similarities of history, landscape, and social design.  But it also has its differences, particularly among the people who live there.

That, however, is beside the point.  Doris' point was that we should enter some of our work in the contest.  Doris was a novelist-in-training, one who has since shown her talent in print several times.  So it was not a surprise to hear her so interested in the contest.  But the rest of us were in the workshop for very different reasons, writing for ourselves primarily, reading to a closed and respectful group, so her flier didn't receive much enthusiasm.

I felt a little bad about that response, so I told Doris I would think about it.  There were separate contests for poetry, nonfiction, and fiction entries, and it would have been easy for me to turn in a poem or two.  But a few days before the deadline, I sat down with an image in my head for which poetry would not suffice...a young girl, running from home, hoping for a life outside the one slowly suffocating her.  It was the girl from Jake's grandmother's story.  To this day, I can't figure out why, at that moment, she came to me.


The limit of five-pages went quickly, because that image erupted into words from the first.  I turned it in, as Doris did her story, and another journal writer her poem.  In a few weeks, all three of us received a call indicating that we had won something.  New Bern might be the judges, but Washington was holding its own.  We were pleased with our success, and I, especially, was grateful for the remarks of one of the judges who sought me out.  "I really liked your work," he said, almost sotto voce, "I could see that girl, such an interesting character."

Not too long after that, there was a suggestion, I forget how, that perhaps I should keep her story going.  So, having nothing pressing to keep me literarily busy at the moment, I did.  All good fiction, said someone who knew what she was talking about, begins with a question, even if at first one thinks he/she has the answer.  The question now was obvious:  where did she go?  And then, What did she do?  Until, What became of her?

Like that first chapter, words rolled out into shapes of characters and plots, and what turned out to be an interesting historical setting...mill life in the thirties in a place changing character too swiftly, and not a little roughly.  More immediately, there was the setting of boarding house life, which has for a long time fascinated me anyway.


Jake, excited to be my guide, drove me all over his home town, filling in the facts of the town he knew so well:  who was who, who did what, where to find more.  He tagged along with me to two library archives where facts and photographs rose up like painted scenery behind her story.  I moved my girl, Anna Lee, up about thirty years ahead of her model's real time, to take advantage of the possibilities history presented, and also because, frankly, I couldn't envision the 1890's the way I could the 1930's.  I imagined houses, streets, buildings, roads and the faces of people whose lives could easily interject with hers.




Best of all, at the invitation of Jake's sweet cousins, we went to stay awhile in the old family cabin out in the county where, each day, I set up my laptop on the porch overlooking Stony Creek, and a new chapter a day bloomed.

Beyond some family and a few friends who know writing, I didn't send it out anywhere.  I think I wrote one publisher about it, but having no response, let it dangle. And then Jake died and the need for it died, too.  It went on the shelf, where a few other manuscripts lay collecting age.  To be honest, I am a person who, when she is finished with something...writing, painting, whatever...is done with it.  I don't care how it gets out into the world, or whether it ever does. 


So, that's the story of my story.  Now the trick would be finding that manuscript in one of a few stored closets, digging for some missing parts, and then, one Sunday afternoon, all afternoon, sitting down to read it again.  That turned out an adventure in itself.  Had I really written this, I kept asking myself?  The story was familiar, but the words...how did I ever think of those phrases?  Where did that fellow out of New Orleans by way of Brooklyn come from?  But obviously they were my inventions, some other mind ago.  Now, like a stranger reading a new book, I was looking with other eyes at that girl, and at all the others who crossed her path along the plot.  There were, in fact, numerous plots, for each character brought his or her own story into the fray, weaving in and out of the happenings and places to change their direction or import.  That was the fun of writing it.

I also found a few startling abscesses, for clearly not quite all the story had left my head for the black and white of the page.  There were misalliances and leaps of incredulity I hadn't seen from so close. (I think Wayne Caldwell, for one, tried to tell me something like that back then, bless him; now I see it.)  Still, I have to say, the story was in the main pretty good.

Eventually, I found that my sister was, indeed, missing a chapter, and promised to send it.  I also mentioned that it might be interesting to go back and see what I could do about revision, after all this time, even if it were just an exercise to help fill these virus-enclosed days, in the hours when art, reading, walking, and Alexander escape me.  Maybe the characters everyone seems to like deserve  not to stumble over their lives so.


I haven't got to it yet, but if I do, I'll let you know how it goes.




Tuesday, March 14, 2017

One of Those Days

In the film The Best Marigold Hotel, one of the characters, a high court judge in London, drags himself along to a retirement party for a colleague.  One day soon he will be next, he grumps to a fellow judge, who reminds him that he's heard that before.  But no sooner does he enter the room than a shock to the heart overtakes him, and he backs away through the crowd.  "This is the day," he announces to the crowd at large.  "This is the day."

This is the day for me, as well...not to retire (supposedly I did that a decade ago) but to get on with a journey I have been, like the judge, threatening (here read hoping) to make for some time.  Sometimes it doesn't even take a TIA to know when the time comes.


So, I thought a few weeks ago, it's time I went to Paris.  Really time.  I wondered what I'd been waiting for, though the answer came quickly enough.  But a look at the calendar and a bit of foresight into the future told me that what is usually a scarce commodity around here...time...had broken open its tightly held trove and offered me a gift.  I grabbed it, running to make a plane reservation, then a week later, more pensively, to find a place to stay.  Friends in London, when I told them, signed on for part of my journey, so I will be stopping there on the way so that we can take the Eurostar together to the City of Light.

Mon vieil ami d'ecole, Will and, we are hoping, Dorothy will spend a few days visiting friends there and, if I know (and trust) Will, walking me around the city recounting les histoires des toutes des pierres dans les boulevards and les rues.  Having spent a goodly number of years taking students on the best European tours of their lives (he's known as a legend in the trade of studies abroad), he has learned a thing or two about le terrain, but, more important, he remembers everything.  His mind, like that of his old mentor (whom I fortunately later married), un professeur extraordinaire, is a veritable trap of data, history, and tales with a fine sense of life and humor.


I still remember our trip through London nine years ago, especially along the Thames in Southwark, Shakespeare's old haunts. Then I was traveling with both of them, trailing along while they traded dissertations on everything from Renaissance theater to the Clink and its attendant streetwalkers.



For many reasons, seeing Paris first with Will along for the ride makes me smile just thinking of l'aventure a venir.

[Pardonnez moi, all you French majors and maitres:  I can't figure out how to make cedillas and accents, neither grave nor acute, not to mention carets, on this site...but s'il vous plait, just assume there is a chance I know they should be there...like that one in plait...]


Which aside brings me to the time spent since I made that last reservation...learning, encore, all the French I have forgotten since school.  I know...it's pretty much a cliche', dredging up high school language lessons from fifty years ago.  I won't know how I've done til I get there, of course, but so far so good.  As long as I am speaking or reading simple subjects and verbs, I'm sure I'll be fine.  But the French films I've been watching nearly every night, just so I can listen to la langue real, have taught me another lesson.  Aside from picking up the occasional idiom, when I shut off the subtitles I'm able to recognize only a word or two every sentence or two.  Quel dommage.  



Fortunately, there are great contemporary books about all sorts of aspects of Paris, all of which I have been absorbing like a sponge. Along with the requisite guide book, I think I will tuck David Lebowitz's The Sweet Life in Paris and Adam Gopnik's Paris to the Moon in my travel bag to relive once my feet are on their ground.

Alors, on continue d'apprendre.  I've still got another week.  Wish me bonne chance!
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At this moment, more interesting than French grammar, there are fifty or more robins in my ailanthus bushes, a female cardinal among them.  They're fluttering wildly through the neighbors' ailanthus, too, feasting on the berries with which for a short time spring decorates those otherwise unremarkable plantings.  Ailanthus are way too prolific here, because they'll grow whether you care for them or not, and so everyone's predecessor put them in among the trees and rocks to fill in, knowing they keep their leaves all year whatever the weather.


For that reason they're a lesson in the reliability of sturdiness over the all too short summer's lease, and fill the yard with wandering tendrils (growing as long as you will allow them to lengthen) when all else fails.  But like me the robins are taking advantage of the moment and have set themselves to pick clean the red pearls that are the ailanthus' fleeting glory.  I can't blame them,  We are in the tail of the great northeastern storm that is bringing our temperatures into the twenties tonight, despite the fact that we have had weeks of sixty and seventy degrees, spoiling us for spring.  Fortunately it's only some spurts of high winds, helping to prune the dead branches from the trees and giving the sun a little run for its money.  We dig our scarves and gloves out of storage and carry on.

Besides, there's Paris to look forward to.

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Wait!  Don't close that page yet...



This weekend (March 17-18), the 7th Pamlico Writers Conference opens in Washington, North Carolina.  On the program Saturday afternoon will be my session on Journals as the Ultimate Sourcebook for writers. Both my workshop and the whole conference are open to anyone interested in writing or writers of any level. Join us if you can.  You can enroll at the door, or on their website.  For more information, go to https://pamlicowritersgroup.wildapricot.org/event-2260134.